Free ToolsDI & Reamp

DI & Reamp Guide

Recording a DI'd signal and reamping it later are two ends of the same chain. Tap what you've got.

⚡ What are you plugging in?
Passive guitar
single-coil / humbucker
Active guitar
EMG / onboard preamp
Passive bass
Active bass
EMG / onboard preamp
Pedalboard, buffered
has an active/buffer pedal
Pedalboard, true-bypass
everything true-bypass
Keyboard / synth
line out
Acoustic w/ piezo
Amp speaker out
re-amp send
Passive vs active - which type?
Passive DI - use when:
Source is already strong and low-impedance (active pickups, line-level gear). Need transformer isolation for ground loops. No phantom power around - passive needs none.

Best for: active basses, keyboards, live splitting. Jensen-transformer passives (Radial J48 passive, Whirlwind IMP-2) are the gold standard.
Active DI - use when:
Source is high-impedance and low-output (passive guitar/bass, piezo). Long cable runs need buffering. A passive DI is loading the source and dulling the tone.

Best for: passive guitar/bass, piezo acoustic, long stage runs. Radial J48 (active), Rupert Neve RNDI.
Impedance reference
SourceOutput impedanceDI input needs
Passive guitar pickup (humbucker)~7-15 kΩ≥1 MΩ input (active DI recommended)
Passive bass pickup~5-20 kΩ≥500 kΩ input (active DI)
Active bass / EMG pickup~100-1000 Ω10-50 kΩ is fine (passive DI works)
Keyboard / synth line out~100-600 Ω10-50 kΩ (passive DI works well)
Amp speaker out (re-amp send)~4-16 Ω (speaker)Use a load box - don't DI a speaker output directly
Piezo pickup (acoustic guitar)1-10 MΩ10 MΩ+ input needed - specialized piezo preamp or Fishman-style buffer
Ground loop fix
Ground loops cause 60 Hz (US) or 50 Hz (EU) hum - the same signal traveling through two ground paths at slightly different potentials.
The transformer in a passive DI breaks the loop by coupling the signal magnetically instead of connecting the grounds electrically.
Still humming after the DI? Check the ground lift switch (lifts pin 1 of the XLR). Try both ways - one will hum, one won't.
Don't use ground lifts as a default. A lift in the wrong place floats the chassis ground and creates a shock hazard.
Common use cases
Passive guitar → recording interface
Use the interface's Hi-Z input directly, or an active DI. Skip a passive DI here - it loads the pickups and kills the top end.
Bass → FOH + monitor split
Passive DI with a Jensen transformer. XLR to FOH, thru to amp, second XLR to monitor world. Handles the split without level loss or ground issues.
Keyboard → two console inputs
Passive DI or Y-cable. The DI adds isolation and prevents a ground loop if keys are on a different power circuit from the console.
Amp speaker out → interface
Never connect a speaker output to an interface input. Use a proper load box (Two Notes Torpedo, Rivera RockCrusher) with a DI out, or mic the cab instead.
⚡ What will you send the signal back through?
Dedicated reamp box
Radial ProRMP, X-Amp, Lehle…
Passive hum box / isolator
Pyle PHE400, ART DTI…
Passive DI box
run it in reverse
Active DI box
e.g. Behringer DI800
Interface reamp output
Apollo, SSL 2+…
Spare line output
no dedicated gear
Why a plain interface output sounds wrong
Interface line out is ~24 dB too loud and the wrong impedance - tone goes dull, compressed, no attack.
Guitar pickup~-20 dBu · high-Z
Interface line out+4 dBu · low-Z (~100 Ω)
Reamp box output~-20 dBu · ~10-50 kΩ
How a reamp box fixes it
A reamp box (or a passive DI in reverse) uses a Jensen-style transformer to:
• Step impedance up from ~100 Ω to ~200 kΩ, closer to what pickups expect
• Attenuate line level (~+4 dBu) down to instrument level (~-20 dBu)
• Provide electrical isolation to break ground loops
Signal levels reference
Guitar pickup output (passive humbucker)~-30 to -20 dBu
Guitar pickup output (active EMG)~-10 to -5 dBu
Interface line output (balanced)+4 dBu
Interface line output (unbalanced consumer)-10 dBV (~-7.8 dBu)
Reamp box output (line in → instrument out)~-20 to -15 dBu
Amp instrument input impedance~500 kΩ - 1 MΩ
Interface output impedance~50 - 200 Ω
Reamp box output impedance~10 - 50 kΩ
Recording the DI for reamping
Raw signal, dry, peaking at -12 dBFS. Everything else causes problems when you reamp.
Pre-FX only
Instrument input on the interface, before pedals. Raw pickup signal, nothing printed on it.
Level
Peak ~-12 dBFS Too hot clips. Too quiet hits the noise floor when you crank the reamp send.
No time FX
Delay/reverb on the DI gets reamped and doubled. Record dry, add FX in the mix.
Phase
Tracked DI + mic together? Align phase before the reamp session. Saves headaches.
Complete signal chain diagrams
Instrument → DI Box → Interface (XLR) → DAW track (dry)
reamp later
DAW track → Interface line out → Reamp Box → Amp input → Mic → Interface
The DI track is your safety net. Record it clean, reamp when the song is done.